It also has zippers all over the place:  under that snap placket; at the center front (the fit’s so trim that you’d need to unzip to run); under each arm; and up one side.

The problem was that much of the hem had pulled out, and the nylon lining, naturally, had begun to disintegrate.  Not so badly that it couldn’t be fixed, though.  I was pretty sure that, among the very few non-sparkly woven trims at JoAnn, I remembered one with jewel tones not unlike those in this jacket:

Not only were the colors compatible, but the pattern seemed just about perfect, too.  Here it is sewn in  place on the coat:

In the few spots where the lining had unraveled especially badly, the trim was just wide enough to bridge the gap.  I sewed it in place with tiny, nearly invisible stitches, since I didn’t want stitching lines on the front.

The new trim not only solved the problem, but made the inside just as full of crisp, sporty pizazz as the exterior:

You’d never know that the frazzled lining had almost turned this jacket into a discard.  Now it’s my favorite early fall, late spring coat.

]]> http://www.noile.net/2010/04/thrift-store-rescue-jacket-repair/feed/ 0 http://www.noile.net/2010/02/a-little-re-styling/ http://www.noile.net/2010/02/a-little-re-styling/#comments Sat, 06 Feb 2010 21:16:09 +0000 Noile http://www.noile.net/?p=857 This is my wear-around-the-house-so-the-bad-kitten-can-destroy-it sweater.  Or jacket, I’m not sure which.  It’s very comfortable, and it was remaindered for next to nothing, so I was happy to find it.  But the asymmetric  front closure just looks strange.  Believe me, it looks really odd on a real body.  Or, at least, on my real body:

A little trim balanced it much better:

Or did it?  Mr. Noile says this jacket is still seriously wonky.  Aldebaran, the kitten, likes it just fine.  And it does appear to be virtually indestructible, which is what matters when the little monster feels like mountain climbing.

According to the size chart on the pattern envelope, I should have cut between size 14 and a 16 (37 inch bust, 28 inch waist). I made a size 8, which is just about right. If anything, even that borders on the larger end of things, rather than the smaller. There are adjustments for petites; I had to double the amount Vogue suggested to shorten the sleeves sufficiently, though.

I made the jacket collar-less; I didn’t particularly like the look of the collar, and think the jacket will be more comfortable to wear in summer without it. I top-stitched around the neckline, too, matching the rest of the jacket. I’m not sure that worked — at least, the buttonhole looks a little odd fighting with the topstitching.

The directions are quite clear, except for the curious omission of adding buttonholes. Somehow they got lost between page 1 and page 2. This is unfortunate, especially since I, personally, like to be reminded of which side I’m supposed to put them. Bad editing, it seems, is becoming a Vogue trademark.

My fabric’s a turquoise linen with just a little bit of stretch. The buttons are JHB; mine are seven-eighths of an inch in size, though the pattern calls for three-fourths. I had considered going down in size, and had even ordered the smaller buttons, but realized that they would get lost in the massive expanse of the jacket.

However, this was the source of a serious miscalculation on my part. Instead of relocating the buttonhole location, I simply started them at the point closest to the edge of the jacket. This meant that the small amount of extra length leads out toward the sleeve. Net result? when the jacket isn’t buttoned, the buttonholes look a bit off — as if they were placed a little bit too far to the left. Which I guess they sort of were. I’ll have to watch that next time.

This jacket’s not lined, so I used a Hong Kong finish to give it a clean look inside. I’m happy with the jacket on the whole; but, in the end, it’s sort of neither here nor there. In spite of the fun tail, a great color and interesting buttons, it’s really sort of a plain, boxy jacket. I’ll wear it, I’ll enjoy it, but it’s sort of nebbish.

My Pfaff still doesn’t have a check spring, so I was fortunate that I was able to keep a very close eye on things and keep the thread tension where it belonged through this project. It’s really odd that the buttonhole function works perfectly when the machine is so hobbled . . . but I’m not complaining!

I remembered to sew an extra button inside the jacket. Replacing one of these buttons would be non-trivial.

I made the jacket in an acrylic plaid in black, brown, white and teal found at JoAnn’s (the only immediately accessible fabric store where I am at the moment). I actually love the plaid, and wish it were in a soft wool instead. The jacket looks fine, but the drape would be softer in a better fabric, and also feel wonderful to wear. The acrylic just doesn’t quite do it.

In the envelope illustration, it looks as if the armholes are dropped off the shoulder. In actuality, they fit as if in a tailored jacket — except that the jacket front flows from the shoulder line. An interesting combination, but not exactly what’s illustrated. I’m reserving judgment about the tailored sleeve caps. I’m not sure they’re exactly what I wanted. Otherwise, the jacket does flow and fit as shown on the packet.

The jacket has another curious quality — the back is straight across, which isn’t exactly what you might expect. It feels short when worn, but I think it looks fine. I shortened the sleeves, which I always have to do, and did a Hong Kong finish on the seams, which worked well.

I think I may sew it again. It made up very quickly, and could be really wonderful in something very soft — kind of like a sweater with a jacket’s style. I loved doing the mitered corners! Next time, though, if I use such a loosely-woven fabric, I’ll make the turned hems a little larger. Managing a 1/4th inch edge in a loose, bulky weave is a bit tricky.

This is a fun, little versatile jacket that I’ll wear with jeans, trousers, a dress I already own and probably a skirt or two. It might be great for traveling, too, as it can span anything from casual to almost formal.

I wish I’d made it in a nicer fabric; I get compliments every time I wear it. I wish the fabric felt as good as the jacket looks.

I made a small, which is over-sized for my size 8 frame. I love it anyway, and wear it all the time! The fabric was a mid-weight mini-tweed in shades of black with white. The jacket’s actually pretty heavy, though, as there’s a fair amount of yardage.

The jacket hem is turned toward the front of the jacket, exposing the wrong side. This isn’t obvious on the pattern cover. I faced the hem with tape to avoid this effect, and stitched the lapels in place across the bottom with the hem. Unfortunately, the hem instructions were not at all clear, and the pattern pieces are counter-intuitive, so I had to progress very carefully.

I shortened the sleeves quite a bit. I still roll them, and love the feel and look, but in retrospect, I probably should have shortened them more, so that I could wear them unrolled. They may add a bit too much to the bulky feeling.

I also lined the pockets, as I really use them, and wanted them to retain their shape. I made French seams, as flat-felling my loosely-woven fabric would have driven me mad.

This is a great jacket, and I’ll definitely make it again. Although it’s a big jacket on me (and probably would look stupendous on a tall woman), it’s a joy to wear. I might try to alter it down a size — especially if I plan to wear it in a professional setting. It’s just a little too big on me to work as well as it could in a non-casual setting. It’s lots of fun to make, easy to wear, and full of great possibilities for a range of fabrics.

This Kwik Sew pattern was my starting point. I have a few vest patterns that are designed with lots of pockets, but I really wanted something with more shape. This one had the lines I wanted, although, in retrospect, how much shape can you have when you’ve got a dozen pieces of equipment hanging off your torso? I definitely wanted hidden pockets so that everything would be stowed out of sight on subways or when in crowds, and a clean, simple look on the outside.

I started by gathering together all the things I wanted to fit into the vest. Here’s the list: wallet, passport, keys, cell phone, digital camera, Moleskine notebook, MP3 player, earplugs, Nintendo DS (Spanish vocabulary and sudoku), comb, chapstick, pen, small flashlight, and a few miscellaneous items.

This vest has three main pattern pieces: front, side, and back. I made outline drawings of the front and side pieces, and played around with pocket placement on paper. Once I thought I’d come up with a good layout, I got to work on the engineering. First decision: I’d leave the pockets on the original pattern alone, so that I’d have two conventional pockets in the front of the vest.

For the internal pockets, I measured each of my belongings, and decided how I wanted the bulk and weight distributed. The Nintendo went near the hem; cell phone and camera (both light and small) went at the top of the pockets, just under my breasts. Middle weight items (wallet, notebook) went in the middle pockets.

Here’s one side, before assembly. The top pocket is for the camera or cell phone, the middle for wallet or Moleskine, and the bottom for the Nintendo or something of similar size and bulk.

The cell phone and camera pockets are horizontal, rather than vertical. That’s partly because I’m female, and my bust gets in the way, but it’s also because those two things are the ones I want to grab fast. Those pockets are also the only open ones; they close with velcro tabs, also so that I can get to the phone and camera quickly.

The four main pockets all close with lightweight zippers. The comb, pen and small accessories pockets (including the MP3 pocket) are fairly deep, but open at the top. They’re somewhat protected, buried as they are far from the vest opening. Except for the comb and pen pockets, each pocket has a pleat to make it roomy enough for the 3D stuff I want to carry.

Yeah, I know. Great detail shots, eh? If you could see this, you’d be looking at the MP3 player pocket and a pocket next to it for earplugs.

Using the vest pattern pieces as a guide, I cut the pockets so that they would catch in the vest seams. Because I didn’t want to customize the pockets for each piece of equipment (next year the sizes may change), I made larger pockets with pleats in them for ease. This kept bulk down nicely, and also meant that I didn’t have to go to the trouble of fitting each item perfectly.

To stabilize the vest, and keep it from drooping when fully loaded, I sewed strips of 1/4 inch grosgrain ribbon at strategic points, running from one vertical seam to another. Those with sharp eyes may be able to spot some of these.

At first, I didn’t think I wanted a pocket across the back, but in the end, I changed my mind and did add a flat pocket on the back panel only. I figured that I might want someplace to stash gloves or a small hat or something of the sort. The zipper is under the flap you can barely see above.

I made the front of the vest exactly as Kwik Sew intended, with one little exception. I like being able to attach keys, and sometimes a subway pass, etc. to my body, so I sewed a snap tab into each front pocket. Here’s a picture of the ‘hardware’ I considered using:

I decided against adding the D rings; if I want to, I can add a D ring to one of the snap tabs. The velcro tabs (upper left) are for the phone and camera pockets. Incidentally, I made a mistake with those: I should have used the soft velcro for the tabs, and the stiff part on the pocket. I’ll have to be careful about scratching the phone or the camera when pulling them out past the tab. The snaps are mini anorak snaps from Dritz, attached to a double layer of grosgrain ribbon.

I also added a bit of grosgrain on the inside so that the vest can be hung on a hook — almost a necessity, I think, for coats and the like.

The vest made up surprisingly easily and quickly. The fabric is a silky polyester, possibly a microfiber, that I got when my mother-in-law and I took a fabulous trip to Field’s Fabrics recently. I used a Schmetz microtex needle.

However, something about the zipper wasn’t quite right; it looked as if the tape actually stretched a bit in places — quite a disaster. Even though this is supposed to be a muslin, I took it out and replaced it with velcro fasteners and a band with a decorative grosgrain strip. Not my finest hour. Sigh.

What does it weigh, fully packed? I’m glad you asked: 3 pounds. Feels like about ten! But, hey, it’s all hands-free.
Here’s the finished inside right:

And here’s the inside left:

The back pocket is big enough for a hat, gloves, and a fat copy of Foreign Affairs:

Now all I need is a guide to remind me of what goes in which pocket.